The Unlikely Sequel
When Pixar announced Inside Out 2 back in 2024, I was skeptical. The original Inside Out (2015) is one of my favorite movies of all time. It's a perfect film β funny, sad, and profoundly insightful about emotions. Why mess with perfection?
But then I saw the trailer. New emotions. A teenage Riley. And that voice cast β Maya Hawke as Anxiety, Ayo Edebiri as Envy, and Kensington Tallman as Riley. I was intrigued. Then I saw the movie on opening weekend. And again three days later. I'm here to tell you: it's better than the original.
The New Emotions: Anxiety Steals the Show
The original had Joy, Sadness, Anger, Fear, and Disgust. Inside Out 2 introduces four new emotions: Anxiety, Envy, Embarrassment, and Ennui (boredom). Each one is brilliantly realized.
Anxiety, voiced by Maya Hawke, is the standout. She's not a villain β she's a well-meaning emotion that goes too far. Her design is perfect: orange, twitchy, with huge eyes that dart around. She represents the constant worry that comes with being a teenager. Every scene with her is tense and funny at the same time.
Envy (Ayo Edebiri) is smaller, always wanting what others have. Embarrassment (Paul Walter Hauser) is a giant pink blob that hides in a hoodie. Ennui (Adèle Exarchopoulos) is a bored French teenager who lounges on a couch and barely moves. Each one adds a new layer to Riley's emotional landscape.
The Story: Growing Up Is Hard
Inside Out 2 picks up two years after the original. Riley is now 13, about to start high school. Her old emotions (Joy, Sadness, etc.) are still there, but they're overwhelmed by the new arrivals. Anxiety takes over, convinced that she needs to control everything to make Riley successful.
The plot follows Riley at a hockey camp, where she's desperate to make the team and fit in with older kids. Anxiety's plan involves suppressing the old emotions and creating a new "belief system" based on perfectionism. It's a brilliant metaphor for how anxiety can take over and push aside joy, sadness, and authenticity.
The emotional climax had me in tears. I don't want to spoil it, but there's a scene where Riley finally breaks down and accepts all her emotions β the good, the bad, and the anxious. It's the kind of catharsis that only Pixar can deliver.
Animation: A Visual Feast
The animation in Inside Out 2 is stunning. The original's depiction of the mind was already creative β the Train of Thought, the Memory Dump, the Islands of Personality. The sequel expands on that with new areas: the Stream of Consciousness, the Belief System, and the Sar-chasm (a sarcasm factory that's hilarious).
The colors are more vibrant. The character animations are more expressive. Anxiety's rapid movements and twitchy eyes are a technical marvel. The scene where she creates a "nightmare scenario" in her mind is both terrifying and beautiful.